Wednesday, March 2, 2011

Jackie Brown

Adapted from the novel Rum Punch written by Elmore Leonard, Jackie Brown is as much a character driven piece as the novel. Although a few things were changed (the location, the title and the race of the main character) Tarantino sought to construct his film “…as if you were having your friends over, it’s a hangout movie”. If your friends happen to be criminals and a bail bondsman. 

I should probably start off introducing the characters for those who have not seen the film. The protagonist is Jackie Brown, she's a down and out flight attendant who traffics money for a gun dealer Ordell. Max Cherry is a middle aged bail bondsman who ends up helping Jackie get her hands on enough of Ordell's money to escape her life of crime.

The novel was originally set in Florida, as many of Elmore Leonard's novels are. Tarantino changed the location to Los Angeles, California for no other reason than he knew the area and wanted to make an LA movie. The change was a welcomed one as far as I'm concerned, as I'm a native LA girl. The only thing this change affected was that a minor character was cut from the script, as he was very regionally specific. 

The title change was also a very welcomed change for me because this story is about Jackie, not Max as the novel is. It was interesting to watch the film again after reading the novel and notice the change in narrative. The book is about Max Cherry, but the film is very much Jackie's story. Which leads me to my next point, Jackie's race. 

In the novel Jackie is white, Tarantino changes her to an African American woman. It was a great change because Pam Grier just nails that role. Although, in my opinion, race changes how a character can experience the world, it doesn't change much from novel to film because they both focus on Jackie as a middle aged woman. They both comment on how tough the world can be when a woman is past her "prime". 

As far as what was omitted from the novel, there were only a few minor events. As I said before a minor character was left out because he was too regionally specific, but probably for irrelevancy as well. This character happens to be a leader of a white supremacist gang in which happens to be in the middle of a protest at the beginning of the novel. Tarantino most likely takes these out because it just doesn't have anything to do with the story he is trying to tell. His film is largely apolitical, perhaps because he is more interested in his characters and telling their story. Elmore Leonard seems like he enjoys setting the political tide of the region, which could be another reason why white supremacists are not found in the film, because that stuff isn't readily very overt in modern Los Angeles. 

Telling the story of two middle aged individuals can be tough. Our society sees past twenty five as past your prime, but the film and novel do an excellent job telling Jackie and Max's story in an exciting, engaging way. Especially for a film, it is hard to take unglamorous characters and construct a critically and audience acclaimed movie. As a student screenwriter, I am taught to construct characters as universal as possible, but give them superhuman, supremely unique traits to give them that "hollywood hero" type persona. Jackie Brown presents a film without those frills, making it inadvertently supremely unique. It is a great film because of it's approach to telling a story of two middle aged people in the most basic way possible, admittedly their link to the criminal underworld may seem a little other worldly, it may not be my life or your life, but there are millions of people in the world that are in the business of crime. And if you can't appreciate the complexity of life past twenty five then you're missing out.

1 comment:

  1. I like your choice of texts to examine (very original!) and your emphasis on the change in focalization from book to film, that is, the fact that the movie is very much Jackie's story rather than Max's. I'd like to see even more discussion of this point, perhaps using a passage from Leonard's text to make the concrete more concrete and stronger.

    Your emphasis on "middle aged" persons is also welcome (said the mid-fortyish professor, ahem). But it also leads me to a question:

    As a student screenwriter, I am taught to construct characters as universal as possible, but give them superhuman, supremely unique traits to give them that "hollywood hero" type persona. Jackie Brown presents a film without those frills, making it inadvertently supremely unique.

    Yes, but since the heroine of this movie is played by Pam Grier, onetime star of such films as Foxy Brown (http://www.imdb.com/title/tt0071517/), known for her many crime dramas and exploitation films, I can't help but think that Tarantino is banking on our recognition of who she is. In a way, this ordinary, non-heroic, middle aged protagonist is made special through the casting.

    Tarantino pulled off a similar coup in Pulp Fiction by casting John Travolta with/against type, in effect reviving his career. On some level, we were meant to notice that it was Travolta, right? There was nothing anonymous about the actor. So I think this adds another layer to the depiction of ordinary people in his films.

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